Lost
This photo shows a young, hopeful writer named Barbara Newhall Follett. After very early success, the pressure and expectations of being a prodigy stole this young girl's drive, and ultimately her existence. Barbara's story is the tale of child fame gone terribly wrong.
In
“Vanishing Act” by Paul Collins, the reader is introduced to the enigmatic
story of literary child prodigy Barbara Follett. After her introduction to the
typewriter at age three, Barbara’s astonishing literary talents were unleashed.
Miss Follett began working on her first novel at the age of eight, and became a
published author shortly after her twelfth birthday. While reading the account
of Barbara’s early success, it is logical for the reader to conclude that her
extraordinary talent led her to a lifetime of work in the industry. This leads
to the next question: why isn’t Barbara known globally today and celebrated as
a gifted writer? Paul Collins answers these questions in his essay in
conjunction with mentions of other forgotten child masterminds. With a vast
majority of American society so engrossed in the world of fame and celebrity,
Paul Collins uses young Barbara as an example of why these labels can be toxic.
The author’s main purpose in writing this piece is not only to pay homage to a
talent that deserves recognition, but also to warn against over-exposure of
gifted children to fame. The general American public for whom Collins writes is
in need of a reminder that children of celebrity status must be seen as
vulnerable individuals to be treated with care, and not toys that can be played
with and then discarded. As Paul Collins specializes in covering forgotten
historical figures and literature, this essay is an example of his writing in
its natural and well- practiced element. The story of a precocious child author
turned struggling young adult is one that naturally elicits an emotional
response. The pathos that Collins creates with his bleak and unhopeful telling
of Barbara Follett’s older life adds to the overall moral of the story: child
fame’s destructive consequences. For me as a reader, Collins’ purpose in
writing this piece was definitely achieved. I have seen the same detrimental
consequences that Barbara Follett experienced occur in prodigious actors and musicians
of my own generation, and I believe that Collins is right to warn against the
dangers of child prodigy.