The Godfather, based off of the
novel by Mario Puzo and directed by Francis Ford Coppola, is arguably one of
the greatest cinematic masterpieces ever created. The intriguing backdrop of
New York City in the 1940’s and the brilliant acting performances of Al Pacino
and Marlon Brando accent the classic and timeless tale of a struggle for power.
Being that The Godfather is my favorite movie of all time, it is only natural
that I should own the DVD and keep it sitting on the desk in my room at all
times. Accordingly, when I was casting about for inspiration for my TOW post
this week, I was suddenly stuck with the idea to rhetorically analyze the front
cover of The Godfather’s DVD case. The most prominent of the images on the
front of the movie case displays a large photograph of Don Vito Corleone, the
Godfather and patriarch of the Corleone crime family. Superimposed in the
bottom right corner of the cover is a faded image of the Don and his three
sons: Sonny, Fredo, and Michael. Next to the Don’s head is the original
Godfather logo that was also featured on the front cover of the novel. The DVD
and its packaging were produced by Paramount Pictures, and based off of the
ideas of story of Mario Puzo. This movie appeals predominantly to adults who
will understand the mature themes and can connect to the ideals of the time
period. The chief function that is served by the front cover of any DVD case is
to provide a snapshot of the movie’s highlights that will entice consumers
enough to buy the movie.
Colors are used to great effect on
The Godfather’s DVD case. The dominance of neutral colors (mostly black and
white) creates a simple yet intriguing tone. Also, the absence of any color
draws all of the viewers focus to the picture of Don Corleone, who looks
formidable and intense. As is true with everything else about The Godfather, I
like this case. The simplicity and absence of color on the front is definitely
stark and interesting. If I were an objective consumer, this case would
definitely spark my interest in the movie.
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